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반의어 대상 no

5 antonyms

  • yes 100%
  • absolutely 95%
  • indeed 90%
  • affirmative 95%
  • by all means 90%
반의어 대상: no

Ignorance

70% 반대
"Ignorance" is the lack of knowledge or information. Where discovery brings new knowledge and understanding, ignorance represents the state before or without such an event. It is the absence of what discovery provides.
반의어 대상: Discovery

Loss

80% 반대
"Loss" refers to the state of no longer having something, or something ceasing to exist or be findable. If something is lost, it cannot be discovered in the sense of 'finding' it. This antonym focuses on the absence or disappearance that precludes discovery.
반의어 대상: Discovery

Suppression

90% 반대
"Suppression" involves actively preventing something from being known, seen, or expressed. This antonym highlights the intentional act of holding back information or evidence, directly counteracting the uncovering of new information that a discovery entails.
반의어 대상: Discovery

Obscuration

85% 반대
"Obscuration" implies making something unclear, dim, or difficult to perceive, thereby preventing its full 'discovery' or understanding. While not always intentional, it results in the opposite effect of discovery, which brings clarity and revelation.
반의어 대상: Discovery

Concealment

95% 반대
"Concealment" is a direct antonym for discovery, referring to the act of hiding or keeping something secret, actively preventing its revelation. It implies an intentional effort to keep something from being found or known, directly opposing the act of finding something previously unknown.
반의어 대상: Discovery

ignorance

90% 반대
"Ignorance" stands as an antonym to "discovery" when the latter implies gaining knowledge or understanding. Ignorance is the lack of knowledge or information, directly contrasting with the enlightenment brought by discovery.
반의어 대상: Discovery

loss

70% 반대
"Loss" serves as an antonym when "discovery" refers to the finding of something previously missing. If discovery is finding what was lost, then loss is the state of something no longer being found or possessed.
반의어 대상: Discovery

disguise

80% 반대
"Disguise" contrasts with "discovery" when the original word refers to uncovering the true nature of something. Disguise is the act of altering appearance to conceal identity or true character, making discovery harder.
반의어 대상: Discovery

obfuscation

85% 반대
"Obfuscation" opposes "discovery" in the sense of making something unclear, confusing, or difficult to understand, thereby preventing its true nature or facts from being discovered. While discovery seeks clarity, obfuscation creates obscurity.
반의어 대상: Discovery

concealment

95% 반대
"Concealment" is a direct antonym for "discovery" when referring to the act or state of keeping something hidden or secret. It implies an active effort to prevent something from being found or revealed, directly opposing the act of finding or revealing.
반의어 대상: Discovery
This specifies a common form of dismissal where the batsman hits the ball but it's caught by a fielder before bouncing, signifying a failure to find the gap or control the shot, contrasting sharply with the successful placement and power of a six.
반의어 대상: ROHIT SHARMA HIT SIX
This refers to a ball from which no runs are scored, representing a lack of progress or impact in terms of runs, directly opposing the high score of six runs.
반의어 대상: ROHIT SHARMA HIT SIX
This describes a cautious approach where the batsman prioritizes protecting their wicket over scoring runs, which is a direct contrast to the aggressive, high-scoring intent of hitting a six.
반의어 대상: ROHIT SHARMA HIT SIX
This emphasizes the complete failure to make contact with the ball, standing in stark opposition to the powerful and successful connection required to hit a six.
반의어 대상: ROHIT SHARMA HIT SIX
This phrase denotes the ultimate failure for a batsman in cricket, directly contrasting with the immense success and high score of hitting a six. It encompasses any method of getting out, ending the batsman's innings.
반의어 대상: ROHIT SHARMA HIT SIX
While still scoring runs, a 'single' represents the minimum run count from a legal delivery and typically results from a defensive or cautious shot, or a mistimed attacking shot. It lacks the power, aggression, and high reward of a six, serving as a lower-impact, less dramatic opposite.
반의어 대상: ROHIT SHARMA HIT SIX
This indicates a complete failure to connect with the delivery, resulting in no runs and often putting the batsman at risk (e.g., of being bowled). It's a fundamental lack of execution compared to the precise power required to hit a six.
반의어 대상: ROHIT SHARMA HIT SIX
"Blocked the ball" describes a defensive action where the batsman plays the ball purely to prevent getting out, without attempting to score runs. This is the opposite of the aggressive, run-scoring intent behind hitting a six.
반의어 대상: ROHIT SHARMA HIT SIX
This refers to Rohit Sharma being dismissed without scoring any runs. It's a specific and often humiliating failure, standing in stark contrast to the exhilaration and high scoring of a six.
반의어 대상: ROHIT SHARMA HIT SIX
This antonym describes the batsman losing their wicket, which is the ultimate negative outcome for a batting player in an innings, directly opposing the positive, high-scoring achievement of hitting a six. It implies failure rather than success.
반의어 대상: ROHIT SHARMA HIT SIX

deforme

85% 반대
Se refiere a algo que ha perdido su forma natural, regular o esperada, o que presenta una alteración en su estructura que lo hace irregular, imperfecto o antiestético. Contrasta con la armonía y la proporción que suelen asociarse con "bonito".
반의어 대상: bonito
Gemini 2.5 Flash Spanish (Spain) 1 크레딧

espantoso

95% 반대
Similar a "horrible" pero a menudo con una connotación aún más intensa de lo que provoca miedo, terror o una repulsión abrumadora debido a su fealdad o su naturaleza perturbadora. Es un término muy fuerte.
반의어 대상: bonito
Gemini 2.5 Flash Spanish (Spain) 1 크레딧

horrible

95% 반대
Implica una fealdad extrema o una cualidad tan desagradable que causa espanto, aversión o una fuerte impresión negativa. Es más intenso que "feo" y se usa para expresar un juicio estético muy negativo.
반의어 대상: bonito
Gemini 2.5 Flash Spanish (Spain) 1 크레딧

desagradable

90% 반대
Se usa para describir algo que produce una sensación de displacer o repulsión, no solo en el aspecto visual, sino también sensorial (olor, tacto, sabor) o incluso en el trato o la experiencia. Contrasta con la connotación positiva y placentera de "bonito".
반의어 대상: bonito
Gemini 2.5 Flash Spanish (Spain) 1 크레딧

feo

100% 반대
Es el antónimo más directo y común de "bonito", refiriéndose a algo que carece de belleza estética o es desagradable a la vista. Es de uso general y neutro.
반의어 대상: bonito
Gemini 2.5 Flash Spanish (Spain) 1 크레딧

unconditional

80% 반대
If "modal" implies conditionality, possibility, or qualification (e.g., "it *could* happen," "you *should* do this"), "unconditional" signifies something without any conditions, limitations, or qualifications. It denotes absolute certainty or commitment, contrasting with the nuanced or contingent nature of modal expressions.
반의어 대상: modal

mean

70% 반대
In statistics, "modal" refers to the mode, which is the most frequently occurring value in a data set. The "mean" is the arithmetic average, calculated by summing all values and dividing by their count. While both are measures of central tendency, they represent different types of averages and can diverge significantly, making "mean" a distinct and contrasting statistical concept.
반의어 대상: modal

substantive

75% 반대
If "modal" refers to the manner, mode, or form of something, "substantive" refers to its essential reality, core content, or main points. It emphasizes the intrinsic nature rather than the outward appearance or way it's expressed.
반의어 대상: modal

indicative

90% 반대
In grammar, "indicative" refers to the mood of a verb used for statements of fact, reality, or strong assertion, directly opposing the hypothetical, necessary, or possible meanings conveyed by modal verbs (e.g., "can," "must," "should").
반의어 대상: modal

factual

85% 반대
Where "modal" expressions often deal with possibility, necessity, or obligation rather than direct reality, "factual" describes something based on or presenting verifiable truths. It conveys certainty and objective reality, standing in contrast to the contingent or subjective nature sometimes implied by modal statements.
반의어 대상: modal